Bowness

Kirsten Lyttle, Gundulu/Emu Kākahu huruhuru, (2018). Image credit, Jo Forsyth

Finalist Bowness Photography Prize 2018, Monash Gallery of Art, Wheelers Hill.

Finalist Bowness Photography Prize 2016, Monash Gallery of Art, Wheelers Hill.

The photograph has long been used as a tool of colonisation. By contrast, this project aims to make digital photographic processes and the making, in itself, Indigenous. Here, the physical surface of the photograph is used as a site for making customary Māori art.

My vantage point is that of a Māori-Australian photographer and weaver. Māori weaving is a link and connection to my Māori heritage and ancestors.

For Māori, the most prestigious garment that can be woven is the kahu huruhuru (feather cloak). For this project, I have made a cloak using emu feathers in combination with customary Māori weaving techniques. This cloak has then been photographed, printed and re-woven to make a life-sized, threedimensional cloak, using Māori whatu/cloak weaving techniques.

Previous
Previous

Native Hands, 2018

Next
Next

50 Shades of Blak, 2016